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CES 2012 PAGE THREE OF THREE
WARNING!
The pictures posted are for
our friends, clients, audiophiles worldwide to
enjoy and see the latest, they are not to be posted on any
personal ads of any kind any where on the net..
PHOTOGRAPHY WORK DONE BY LARRY DIAZ FOR
HIGH-END PALACE

The
Perfect8 loudspeakers

AUDES ORPHEUS LOUDSPEAKERS

NEW PASS LABS XS-150 MONOS

THE TRIPOINT AUDIO ORION MASTER REFERENCE A/C CONDITIONER

VITUS AUDIO, YG ACOUSTICS & TRIPOINT AUDIO

NEW ACOUSTIC SIGNATURE THUNDER TUNTABLE

NEW CONRAD-JOHNSON ART AMPLIFIER

NEW DAN D'AGOSTINO MOMEMTUM STEREO AMPLIFIER

NEW DAN D'AGOSTINO MOMEMTUM MONO IN BLACK

VTL & ROCKPORT

Lotus Group Granada G2 Loudspeakers with X-1
DSP Crossover

CONCERT FIDELITY WITH ESTELON XA
LOUDSPEAKERS
The Wilson Audio Alexandria XLF
We
called Wilson Audio to find out where they showing the new
flagship Alexandria XLF loudspeakers at CES and we were told
that they were simply showing the speakers to dealers in the
Mirage hotel to dealers where they were having private meetings.
They were not hooked up. David is going to play them in their
home town for dealers and selected customers in the next few
weeks.
Introducing Alexandria XLF
Alexandria XLF joins the Alexandria family, not as a replacement
for the Series 2, but as its even more ambitious sibling. The
new XLF clearly resembles the original Alexandria’s form factor,
but its architecture has evolved to support new technology. It
is physically larger, with 14% greater bass volume. The bass
enclosure’s cabinet walls are thicker for even greater resonance
control. XLF refers to the new Alexandria’s Cross Load Firing
port, a unique passive bass management system. Wilson developed
a new tweeter for the XLF. The midrange baffle is constructed
from Wilson’s proprietary S-material. A new crossover and a host
of parts – each included as a result of exhaustive
experimentation and punctilious listening trials. The Alexandria
XLF starts from the lofty foundation of musicality and
resolution established by the Alexandria Series 2, and improves
upon its predecessor’s performance in every musical parameter:
greater dynamic contrast, better harmonic expression, improved
and more consistently implementable bass performance, and
increased linearity.
Cross Load Firing port System (XLF)

The Alexandria XLF features Dave Wilson’s latest loudspeaker
invention: the Cross Load Firing port (XLF) system. Dave
recognizes that his speakers are often installed in
less-than-perfect environments. But as an idealist, he is
concerned about how his loudspeakers perform in the real world.
His idealism in this area has been the motivating force behind
many of his inventions, such as adjustable propagation delay,
the primary purpose of which is to optimize, via precise,
prescribed adjustment, the performance of his loudspeakers in
actual residential environments.
Perhaps the characteristic that most obviously changes from room
to room is bass performance. Certain listening rooms, such as
those with a large number of windows, are sometimes overly lean
in the bass. Others don’t have enough structural ventilation in
the bass, resulting in a tonal balance that is bass-heavy. The
negative sonic impact of these less-than-ideal rooms is often
exacerbated by the audiophile propensity to place listening
chairs at or near the center of the room.
The Alexandria has always been a loudspeaker with extended and
linear bass performance. But now in the XLF version, the
location of the port can be optimized for the room. Wilson’s
Cross Load Firing port is a simple system that allows the
Alexandria XLF to be more consistently optimized in the area of
bass performance and extension by matching the port location to
the characteristics of the sound room. Since the system is
completely passive, it avoids the sonic pitfalls symptomatic to
all active bas management systems.
The
Cross Load Firing port System on the Alexandria allows the
installer to choose either a front-firing or rear-firing bass
port configuration. The choice depends on room characteristics,
with lean rooms favoring the rear port, and heavy rooms the
front port. The default configuration of the Alexandria XLF is
with the bass port installed in the rear. In rooms where a
front-firing port is preferable, it is a simple matter of
removing the brushed aluminum cover plate and port plug from the
front, reinstalling these elements in the rear port, and in turn
installing the low-turbulence port hardware on the front of the
bass cabinet.
New Architecture
Dave Wilson is the inventor of several once-patented
technologies, including adjustable propagation delay and modular
construction. In his earliest designs, Dave pioneered the use of
proprietary composite materials in his quest to reduce enclosure
resonances. The combination of all these technological factors
has always dictated how Wilson loudspeakers look. The
convergence of authentic technology and aesthetic ideals has
produced Wilson Audio’s most iconic shapes. The idealism of
Dave’s approach defines Wilson’s design culture. The new
architecture of Alexandria XLF is but the latest iteration of
that philosophy.
The Cross Load Firing port system (XLF) dictated a larger bass
enclosure. It is 14% larger than the Series 2. This enabled the
engineers to carefully shape the XLF’s bass response for an even
more linear and room-friendly response. Using the latest
analysis technology, Wilson’s mechanical engineers
reworked
the woofer cabinet, thickening the enclosure walls and
redesigning the internal bracing geometry. Cabinet contribution
in the bass region was extremely low in the Series 2 Alexandria.
The Alexandria XLF is even more inert.
Alexandria’s “wing” structure, which supports the midrange and
tweeter modules in the upper array, is critical to the design
for several reasons: It provides the infrastructure that
facilitates the precise aspherical alignment of the upper
modules; and it provides a low-resonance and extremely rigid
platform from which the upper modules launch the midrange and
high-frequency waveforms. In the Alexandria XLF, the wing is
thicker and more substantial than the Series 2’s. It is built
entirely of cross-braced X-material, Wilson’s extremely rigid
and well-damped composite. The new wing provides an extremely
inert platform for the upper three modules.
Finally, the signature Alexandria curves, a metaphor for
time-aligned wavelength progression, have been enhanced to
greater effect. Alexandria’s visual presence is at once more
substantial and organic.
S-Material Midrange Baffle
First introduced in Wilson’s venerable WATT/Puppy replacement,
the Sasha W/P, S-material is a wonder of midrange beauty and
low-resonance. In combination with X-material, S-material
reduces measurable and audible noise and coloration in the
midrange. This achievement is all the more remarkable given that
Wilson’s proprietary M4 material, first used in the Series 2
Alexandria, established the previous benchmark for midrange
performance.
Convergent Synergy™ Tweeter
The
magic of Wilson’s midrange driver is in no small part due to its
ability to cover almost the entire mid-band without interruption
of the crossover, including in the male vocal region. This
always meant that the driver would be large, and therefore
limited in its upper frequency range. Wilson’s existing inverted
titanium dome tweeter has long proved a successful and coherent
match to Wilson’s remarkable midrange driver. During its
decade-long development, the current Wilson tweeter has evolved
such that it uniquely excels in the areas of low distortion,
resolution of micro and macro dynamics, and harmonic expression.
Wilson’s current tweeter was developed to play down to the one
kilohertz region with low distortion and high power handling
ability. Dave has been willing to trade ultra-wide bandwidth for
these more musically important characteristics.
Dave and the engineers have tested a very wide spectrum of
tweeters utilizing domes made from diamond, beryllium, and
ceramic. Many of these exhibit flat frequency response, and are
extended into the octaves above the audible bandwidth. But none
matched the dynamic contrast and harmonic expression of Wilson’s
current titanium design. And all have been unable to perform
adequately with our midrange driver given its unique demands.
Three years ago, Dave began a renewed quest for an improved
tweeter that culminated in a proprietary Wilson design for the
Alexandria. The result is the Wilson Convergent Synergy Tweeter.
The new Wilson tweeter rejects exotic materials in favor of a
new silk dome design that better meets all of Dave's musical
design goals.
The Convergent Synergy tweeter is a proprietary, Wilson-designed
driver. With the Convergent Synergy driver, Dave’s design
requirement of ultra of low distortion and very robust power
handling down in the lower part of its range are beautifully
met. These qualities converge with a much a higher resonant
frequency and flatter frequency response. The new tweeter is
extremely linear. It crosses over synergistically to Wilson’s
midrange driver. It has exemplary off-axis dispersion
characteristics in both the frequency and time domains. The
noise floor is lower. Because it has somewhat lower moving mass,
its response extends to beyond 37 kHz. But most importantly, it
is musically compelling. This is especially evident in its
ability to resolve low level resolution and harmonic textures
effortlessly, with no audible ringing or other distracting
colorations. It is the Alexandria XLF midrange’s perfect
companion.
WARNING!
The pictures posted are for our
friends, clients, audiophiles worldwide to
enjoy and see the latest, they are not to be posted on any
personal ads of any kind any where on the net.

Open every day from
10:00 AM to 8:00 PM
For
inquiries and sales contact Larry at The Palace
Tel: 786 388-8050 /
Fax: 786 388-8051
E-mail address: larry@highendpalace.com
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